The Dead by James Joyce

For the majority of the 20th century, women were viewed as subordinates to men. In James Joyces shortsighted story, The Dead, the author effectively uses the typeface of Gabriels internal battles and his altercations with womanly characters to roleplay the clashing conceptions of femininity and masculinity. throughout the fabrication, his interactions with distaff characters demonstrate the campana that his ego undergoes. These separate interactions lastly lead to his breaking indicate which can be seen as the climax of the story; his epiphany. on that point are three important encounters that are representative of this idea; his encounter with Lily at the actually beginning of the novel, his encounter with neglect Ivors on the dance floor, and what finally took him over the edge--his encounter at the end of the novel with his profess wife Gretta. From a libber perspective, there are unimpeachably elements in this novel that take a shit the oppression of women. As M argot Norris wrote, the school text should be read with both articulations in mind; Gabriels loudly male narration and the tranquil  female countertext that does not be in making itself heard. However, what is not recognized is that while the female text is not emphasized, the actions and discourse of female characters are the driving force force behind the governing male narration. This raises a contravene between the characters in the novel and the themes of masculinity, feminism, and dominance. While the male voice is certainly the most prominent, the female voice brings Gabriels insecurities to light, and causes him to question his identity.\nThe scratch example of this is Gabriels interaction with Lily, the caretakers daughter, at the very beginning of the novel. before he shows up to his aunts dinner party party, Gabriel is depicted as a man of importance because of the hope and eagerness centered round his arrival. The fact that the text focuses on him even before his arrival sets the stage for introducing him as a domina...